Belenius

A fountain and its natural form, the spring, are symbols of the miraculous life-begetting ‘élan vital’ that permeates the universe. In fact, life on earth is now thought to have begun in the nutrient-rich plumes of undersea hydrothermal vents, real-life fountains of life. But, when the image of the source is mimicked as Water Feature, a merely decorative, self-contained electric fountain, the maternalistic life-force is perverted into what amounts to abject MILF porn. The Water Feature is so wasteful and self-indulgent that it becomes the straw man in the argument against contemporary art as useless blubber for the tasteless elite. But— can’t home and garden decor give back a little bit? Can’t we efficiently retrofit some of our ‘criminal ornaments’ for a fairer future? If there is some leftover space inside their faux-marble fiberglass hollowness, we can definitely squeeze some useful nanotech in there— right? Let’s finally answer Joseph Bueys famous challenge, “Kann Plastik die Welt verandern?”—can sculpture change the world? with a resounding “YES!”…as long as that sculpture contains a state-of-the-art-kick-ass-energy-efficient-linux-micro-PC that is totally discovering a cure for cancer.

A group of spectacular cast-fiberglass fountains stand together on an elevated server-room floor. A Fit PC 2 (the smallest PC currently available, 96% more energy efficient than a standard desktop) is installed in each water feature. Whenever the fountains are plugged in, the Linux PC’s will automatically boot up and run World Community Grid software, a distributed computing project which uses a massive network of PC’s around the world to model solutions for various humanitarian problems, such as: “Clean Energy Project”, “Influenza Antiviral Drug Search”, “ Fight Aids@home” and “Nutritious Rice for the World”. The delightful splashing of the water and twinkle of the energy-efficient LED’s act as relaxing and meditative status-light for the computers, tirelessly laboring within. Although there is no screen visible in the installation, the computation progress can be remotely monitored through a dedicated website.
Throw in a coin, and make a wish….introducing, World Community Grid Water Features by AIDS-3D

More about this exhibition

A short story by Swedish novelist Stig Dagerman inspired a series of painted stage directions, featuring an ambiguous drama of God and Newton. The paintings draw upon ideas in the text, merged with the artist’s interest in a shack-like condition best described as “a sustained moment in time where collapse is imminent.”

Newton is in his London study on the night of his death. The air is raw with fog, the candles lit. When God pays the scientist a visit, a battle of desire and vanity ensues where neither God nor mortal are entirely redeemed. The stage folds into itself, the characters merge into one another, and miracles are reversed when Newton gambles for the deity’s human shape. In a shack on the street outside the gallery the most precious of substances, silence, is collected in amber jars.

good,

thaw the I

sand us ray

You are all familiar with that first scene from the new country: A few shacks in a field, morning mist dissolving imperceptibly and rapidly at the same time. Any thought disrupting this hypnotic presence must be addressed to god, as an idea. What we see here is a workplace without mercy. The turpentine, the dust and the boards are all elements of an involuntary state of exile, brought about by internal forces, contaminating the body. Labor executed here is unimaginably heavy, with severe restrictions on both air and imagination. Pause is out of the question.

Each effort is painfully hard; feet slip in shoddy mud, sweat attracts insects and the blistery hands are full of splinters; sleep and nutrition sorely lacking. Spirits haunt within and without in this place that consumes its inhabitants.

The installation “Skjul för tystnads skull/” Shack for the purpose of silence” is part of the ongoing project “un

More about this exhibition