Not yet an absolute figure in the context we usually call “the (art) scene”, Timothy Wilson operates in the borderlands between light design, sculpture and performance. This brings him a measure of independence as well as determination. Shown previously at Söderdepån 2041 in Södermalm (a run down old central garage and workshop for the city’s public transportation buses, an extensive building taking up a whole block, now beautifully decayed), industrial size laser installations provided us with the visions and aesthetics of Wilson: they are dark and dystopian, with the futuristic connotations that his medium suggests.

A feeling of dextrous precision while mastering these directions of light provides a striking effect. Even more so when presented sculpturally. It is also a requirement when he creates landscapes and futuristic patterns. Wilson will be showing five sculptures consisting of glass, water and sand presenting an inverted spatiality, making one think of underwater gardens.

Timothy Wilson (b. 1988 in Stockholm) is the guardian of the night and at the same time the champion of light. With installations at the Swedish Museum of Performing Arts and Söderdepån 2041 behind him, he makes his debut exhibition at Belenius.

Installation view
crop_world_1542_1, 2017, Glass, stone, monochromatic light, metal, 72x52x60,5 cm
store_556_ n_1 2017 Glass, stone, monochromatic light, metal 70x45,5x20 cm
up_city_44_7, 2017, Glass, stone, monochromatic light, metal, 57x22x50 cm
form_select_4x_c, 2017, Glass, stone, monochromatic light, metal, 45x20,5x70 cm
Förväntan (Chassitvätt-2), 2017, Digital print, 31x40 cm
Symbiosen (Chassitvätt 1), 2017, Digital print, 44x58 cm
Avbrotten (Garagehall 1), 2017, Digital print, 58x78 cm
Oändligheten (Garagehall 2), 2017, Digital print, 71x98 cm
Begravningen(Central underhållshall), 2017, Digital print, 85x118 cm